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The Jerry Springer Show - Netflix

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The Jerry Springer Show is probably most known for its foul mouths, excessive fighting, excessive nudity and wacky stories. Nearly every episode, if not all, have at least one bleeped over foul word. Then there's the sound effects. A clanging bell indicates it's time for a fight! Whenever a fat woman shows her boobs, the sound of a cow going "MOO!" is heard. Even the audience gets into it! Women show their boobs to get "Springer Beads". Whenever a touching good moment happens or an audience member asks a goody goody logical question, the audience chants, "Go to Oprah"! TV Guide voted The Jerry Springer Show as the "Worst Show In The History of Television." A new UK version will soon be airing on ITV1 for 4 weeks after the UK's talk show queen Trisha Goddard left ITV to present her new five show Trisha Goddard.

The Jerry Springer Show - Netflix

Type: Talk Show

Languages: English

Status: Running

Runtime: 60 minutes

Premier: 1991-09-01

The Jerry Springer Show - Tabloid talk show - Netflix

A tabloid talk show is a subgenre of the talk show genre which emphasizes controversial and sensationalistic topical subject matter. The subgenre achieved peak viewership during the late 20th century. Airing mostly during the day and distributed mostly through television syndication, tabloid talk shows originated in the 1960s and early 1970s with series hosted by Joe Pyne, Les Crane, and Phil Donahue; the format was popularized by personal confession-filled The Oprah Winfrey Show, which debuted nationally in 1986. Tabloid talk shows have sometimes been described as the “freak shows” of the late 20th century, since most of their guests were outside the mainstream. The host invites a group of guests to discuss an emotional or provocative topic – ranging from marital infidelity to more outlandish topics – and the guests are encouraged to make public confessions and resolve their problems with on-camera “group therapy”. Similar shows are popular throughout Europe. Tabloid talk shows are sometimes described using the pejorative slang term “Trash TV”, particularly when producers appear to purposely design their shows to create controversy or confrontation, as in the case of Geraldo (such as when a 1988 show featuring Ku Klux Klan and Neo-Nazi members, anti-racist people and Jewish activists led to an on-camera brawl) and The Jerry Springer Show, which focused on lurid trysts – often between family members. Vicki Abt, Ph.D., professor of sociology and American studies, criticized tabloid TV shows, claiming that they have blurred the lines between normal and deviant behavior. The genre experienced a particular spike during the 1990s, when a large number of such shows were on the air, but which gradually gave way during the 2000s to a more universally appealing form of talk show.

The Jerry Springer Show - Trash TV - Netflix

The subgenre is sometimes described in pejorative slang as “trash TV”, particularly when the show hosts appear to purposely design their shows to create controversy or confrontation. One of the earliest of the post-Oprah shows was Geraldo, which was oriented toward controversial guests and theatricality. As an example, one of the early show topics was titled “Men in Lace Panties and the Women Who Love Them”. One 1988 episode featuring racist skinheads ended in a brawl that left host Geraldo Rivera with a broken nose. This incident led to Newsweek's characterization of his show as “Trash TV”. The term was subsequently applied to tabloid talk shows at their most extreme; some hosts, such as Jerry Springer, have proudly accepted the label, while Jenny Jones resent it. One of the most extreme tabloid talk show hosts was former singer and radio talk host Morton Downey Jr. He would take Donahue's casual dismissiveness and transform it to open hostility directed towards his guests in the form of blowing cigarette smoke in their faces, shouting his catchphrase “Zip it!” at them, and occasionally ejecting them from the set. Though it was aired at night, and ostensibly dealt with serious political and social issues, The Morton Downey Jr. Show was a pioneer in the “Trash TV” subgenre; and its foul language, violent in-studio fights, and extremely dysfunctional guests led to it becoming one of the most successful television talk shows of its time, though its success was extremely brief and it was cancelled after two years. In 1987, Rivera hosted the first of a series of prime time special reports dealing with an alleged epidemic of Satanic ritual abuse. He stated: “Estimates are that there are over one million Satanists in this country ... The majority of them are linked in a highly organized, very secretive network. From small towns to large cities, they have attracted police and FBI attention to their Satanic ritual sexual child abuse, child pornography and grisly Satanic murders. The odds are that this is happening in your town.” After these programs, there were outbreaks of anti-Satanic hysteria in various American cities. He was noted for self-promotion and for inserting himself into stories: Rivera twice had plastic surgery on his program. In 1993, Ricki Lake became the youngest talk show host in the genre, and her show targeted a young and urban demographic. A typical show might present several lower middle class women, each claiming to be “all that” (the show's catchphrase for someone with high fashion, personality, and sex appeal), with others debating the assertion. Other shows would present someone in an obviously bad relationship and have Lake recommend, “Dump that zero and get yourself a hero.” Once Lake became a mother, family-oriented shows became more common. The Jerry Springer Show would gain a reputation as the most confrontational and sexually explicit, with stories of lurid trysts – often between family members, and with stripping guests and audience members. Although the show started as a politically oriented talk show, the search for higher ratings in an extremely competitive market led Springer to topics often described as tawdry and provocative, increasing its viewership in the process. Topics included partners admitting their adultery to each other, women or men admitting to their partners that they were transvestites who had convinced their partners that they were a different sex, or revealing that they were pre- or post-op transsexuals, paternity tests, numerous features on the Ku Klux Klan and other hate groups, and an expose of shock rock featuring El Duce from The Mentors and an appearance from GWAR. Violence and fights between guests became almost ritualistic, with head of security Steve Wilkos separating the combatants before fights escalated into something more serious. Though frequently criticized, Springer claimed that he had no creative control over the guests. If they were making up their story just to get their 15 minutes of fame, he and his producers knew nothing about it. He even dedicated a portion of one of his shows to showing outtakes, in which he caught a lesbian couple lying about their affair. Springer went on indefinite hiatus in 2018, with the series continuing to air in reruns. Maury would go on to become one of the most enduring examples of the format. Debuting the same season as Springer and likewise initially having a more serious focus, host Maury Povich over time developed a largely formulaic series that carved out a niche: by the 2010s, Maury had become almost synonymous with adversarial paternity tests and lie detectors. A typical episode of Maury features an urban poor woman, often with a checkered sexual background, accusing a past sexual partner of being the father of her child, which the man will categorically deny. At the end of the segment, Povich dramatically reveals the results of the paternity test; if the test proves that the man is not the father, he will celebrate boisterously, sometimes infamously in dance or by running into the audience to high-five audience members, as the mother runs backstage sobbing, while if he is determined to be the father, the mother will strut in triumph, sometimes holding a copy of the results and shoving the results into the now-proven father's face. By the 21st century, Maury had already earned a reputation as being “miles further down the commode” than Springer, and the name of the show would become a byword for dysfunctional parental situations.

The Jerry Springer Show - References - Netflix